Life and Soul Mixtape 1

Life and Soul Mixtape 1 October 2009

Now available for Download – Please email me for the link mike@lifeandsoulpromotions.co.uk or lower quality version available here – http://lifeandsoul.podomatic.com/

Tracklisting

1. Back on the Block – Imessiah Soul
2. Lost without you – Soulem
3. Angel – Colie Williams
4. Take Time – Chris Rob
5. Gotta be me – Innosphere
6. Complicated – Steve Wallace
7. All an illusion – Speek Greene feat Kenny Wesley & Kev.O
8. Obsession – Jeremiah
9. So Inspired – Big Brooklyn Red
10. Let’s Run Away – Darnell Kendricks
11. Transitions – Julie Dexter
12. Right On (Club Remix) – Michaux
13. Trust You – Heather Park
14. Guilty – Mo Molokwu
15. Mad Love – Nikki Wade
16. Emotional – V-Rich
17. Billyclub (Remix) – Wayna ft Wale

Artists Websites
Soulem Productions – http://www.soulemproductions.com/
Colie Williams http://www.myspace.com/coliewilliamsfeaturingosfand
Innosphere – http://www.myspace.com/innospheremusic
Wayna http://www.wayna.net/
Big Brooklyn Red http://www.bigbrooklynred.com/
Heather Park http://www.myspace.com/heatherpark
Julie Dexter http://www.juliedexter.com/
Michaux http://www.myspace.com/michaux
Mo Molokwu -http://www.soulemproductions.com/
Darnell Kendricks http://www.darnellkendricks.com/
Imessiah Soul http://www.myspace.com/imessiahsoul
Steve Wallace http://www.stevewallacemusic.com/
Chris Rob http://www.chrisrobmusic.com/
Kenny Wesley http://www.kennywesley.com/
V-Rich http://www.vrichmusic.com/
Jeremiah http://www.jeremiahonline.com/ www.listentojeremiah.com (launching soon)
Nikki Wade http://www.divadoment.com/

Thanks to all the above artists and their management teams -
Fiona Bloom – The Bloom Effect – http://www.thebloomeffect.com/
Hasan Brown – Puzzle Marketing – http://www.myspace.com/puzzlemarketing
Steve Francis – Stush Music – http://stushmusic.com/
Keyonne Brooks – http://www.myspace.com/keyonnebrooks
Mathieu Karsenti- Soulem Productions – http://www.soulemproductions.com/
Mike Dawson – Ketch a Vibe Records
IcreeUPree – Joli Harris http://www.myspace.com/imgmuzic

Drops – Lenora Jaye, Monet, Darien, Heather Park, April Hill, Lorenda Robinson, Steve Wallace

Life and Soul Promotions are responsible for: -
Website – www.lifeandsoulpromotions.co.uk
Indie Soul Mixer Concept and Events
Soul Freedom – Radio Programming and DJ Outlet – Radio Cardiff – Rhythm and Soul Radio
Development of new Independent Soul Artists

mike@lifeandsoulpromotions.co.uk
Bristol – Cardiff – Atlanta – New York – Los Angeles (2010)

A few Albums to check – click pic to preview and buy

Leela James – Let’s Do it again

New music from the wonderful Leela James!

Leela James “It’s A Man’s Man’s Man’s World”:
http://wdl7.streamhoster.com/elemental/leela/its-a-mans-mans-mans-world.mp3

Let’s Do It Again, is Leela’s long-awaited follow-up to her powerful debut which scanned over 200 000 units. The new album delivers a powerful set of soul music, recorded with her own band in the studio. Highlights include Leela’s interpretation of such well-known songs as Etta James’ “All The Way Down” and John Legend’s “We Don’t Have To Change” as well as previously unexposed gems.


Leela James Celebrates the Enduring Power of Soul Music on Shanachie Debut “Let’s Do It Again”

When Leela James decided to call her new album LET’S DO IT AGAIN, it wasn’t necessarily because she happened to record a profoundly soulful version of that Staples Singers classic. There was a deeper meaning involved for her as one of the most acclaimed soul singers of the new generation. It was all about pursuing her vision of music, the kind she sang about on the song simply titled “Music” on her best-selling debut CD, on which she name-checked Aretha Franklin, Gladys Knight, Stevie Wonder and Chaka Khan and wondered “where’s the music gone?” For LET’S DO IT AGAIN, Leela was determined to make music the old-school way, just like they used to do at Stax, Motown and Muscle Shoals, recording live in the studio to capture the spontaneous magic and raw emotion that can only come by recording an in-the-moment performance where the singer feeds off the energy of the musicians. It was a courageous move but Leela was up for the challenge as
she translates classic soul into her own contemporary style with unique interpretations of a wide-ranging set of songs. The results leap out of the speakers, making LET’S DO IT AGAIN an irresistible experience of joyous, organic, funky, soul music that is all too rare these days. Slated for March 24th on Shanachie Entertainment, LET’S DO IT AGAIN, is a triumphant sophomore effort from one of the most electrifying singers on the scene today.

“I love real music,” Leela explains, “meaning I love instruments, I love real musicians playing. I most enjoy performing with my band because I get energy from the crowd and the instruments; it really does something for
me. So the opportunity to go into the studio and combine that live energy with the studio was just a blessing.”

The spontaneous nature of the music-making on LET’S DO IT AGAIN, which Leela produced, can be heard on the session multi-tracks. When Leela and the band kick into a funk version of The Rolling Stones classic “Miss You”, a song she has been performing at concerts for some time, the groove initially is tight but not exciting enough for her taste. “I want you to slow it down, make it FONKY, more dirty,” Leela instructed her musicians. They hit it again and you can hear Leela singing to the engineer, Marc Fuselli: “Marc I want you to hit the record button and let it roll…let it roll…let it roll…we tryin’ to figure it out right now…but let it roll.” She continued some wordless wails and then began singing the familiar verses as the groove got deeper. It evolved into a tour-de-force performance. On her version of Betty Wright’s “Clean Up Woman,” as the familiar opening lick is played by her guitar player, Leela sings the “oh, oh, yeah” intro to another classic song, “Mr. Big Stuff.” It acts like a sample except of course she was creating it live spontaneously. She had told the  band on this one to speed the groove up, make it more “hip hop.” Those alterations transform the song into something fresh. Leela’s version of Womack & Womack’s obscure gem “Baby I’m Scared Of You,” the “steppers” groove had folks dancing in the studio as background singer Andrea Martin spontaneously dropped a Jamaican-style dance-hall rap into the tag. None of these things were planned.

Leela hand-picked all the songs on the album, choosing ones that had particular meaning for her. She decided to do “Nobody Knows you When You’re Down And Out” in the style of Bobby Womack’s recording because her father had a particular love for his version of the song.
Her take on Bootsy Collins’ “I’d Rather Be With You,” on the other hand, had been getting great reaction at her shows. But many of the songs were selected because of Leela’s desire to pay tribute to the artists who originally did them—Al Green, Betty Wright, Phyllis Hyman, Angela Bofill, The Staples Singers and James Brown among others.

“We were blessed to open up for James Brown on tour in Europe,” Leela relates. “I was elated after a show to go meet him backstage and talk with him. He pulled me into an interview on camera and said ‘this is a great
singer’. This was the King, the Godfather talking about little ‘ol me! He said I should carry on the tradition. He gave me a lot of advice. I feel a personal connection with him and an obligation to keep the funk tradition
going.”

Many of Leela’s fans may be surprised that she chose to do songs previously recorded by Phyllis Hyman and Angela Bofill, singers known for a more jazz-inflected delivery than Leela’s.

“Phyllis Hyman was an amazing, incredible singer, “Leela gushes. “She had an incredible voice and an amazing range but she wasn’t the biggest artist that she could or should have been. I wanted to do SOMETHING by her. I decided to do “You Know How  To Love Me” because it was her breakout record and it’s uptempo, with funk in it, so it’s right up my alley. It’s my way of paying tribute to an incredible artist who never truly got the acclaim she deserved. Angela Bofill is still around (though recovering from two recent strokes). Her tone is very distinctive. I can relate to that. People when I was young would say certain things I did reminded them of her. I didn’t hear her much because I was on the West Coast. I was just taken by the beauty of her voice. She’s another person I wanted to pay homage to. Some singers aren’t as known as they should be and as a young singer I wanted to pay respect.”

Leela James’ deep connection with soul music tradition comes naturally.  Born in Los Angeles, gospel music was a natural part of her church-going childhood as was the blues, funk and R & B that she heard in her home, thanks to her father’s vast record collection. Her performances on the indie live circuit as well as her appearance on hip hop legend Pete Rock’s SOUL SURVIVOR II album and stints as opening act on national tours by The Black Eyed Peas and Macy Gray generated a tremendous grassroots buzz. So while her critically-acclaimed debut album A CHANGE IS GONNA COME seemed to come out of nowhere, to those in the know, it was one of the most anticipated albums of the year. With production by Kanye West, Raphael Saadiq, Wyclef Jean, James Poyser and Chucky Thompson, and Executive Produced by Commissioner Gordon, A CHANGE IS GONNA COME, boasted a striking slate of original songs co-written by Leela as well as impressive interpretations of Sam Cooke’s “A Change Is Gonna Come” and No Doubt’s “Don’t Speak” and bits of acoustic blues. Dubbing the raw, soulful sound of her music “back porch soul,” Leela was immediately compared to such luminaries as Gladys Knight, Aretha Franklin, Chaka Khan and Mahalia Jackson. “Music,” the first single from the album, hit the adult urban contemporary charts. VH-1 embraced Leela as their first “You Oughta Know” artist and played her videos in heavy rotation.

The tremendous momentum that followed the release of A CHANGE IS GONNA COME, afforded Leela James the opportunity to tour relentlessly for three consecutive years, playing virtually every prestigious festival on the international circuit. She even appeared at the Montreux Jazz Festival twice and on one of those occasions, was handpicked to open for BB King during his “Farewell Tour.” The legendary bluesman even invited the young chanteuse onstage to perform alongside him!

Over the years, critics, fans and musicians alike have recognized Leela James extraordinary gifts as a vocalist, storyteller and keeper of the great soul tradition.  Leela had the distinction of being selected to duet with Ray Charles on a version of Les McCann’s “Compared To What” on the posthumously-released Ray Charles album GENIUS AND FRIENDS and was a guest vocalist on Robert Randolph And The Family Band’s 2006 album COLORBLIND, proving that Leela’s talent ranges across many musical genres. Leela James also toured Japan and was invited to perform with singer/songwriter John Legend in South Africa.

LET’S DO IT AGAIN is at once a celebration of the enduring power of soul music and assertion of its contemporary relevance for a new generation. It reveals new aspects of Leela James’ artistry and range as a singer.

“I don’t know what I fit a current mode of category,” Leela muses. “I try to just do me. I’m a soul singer but there’s a lot of music in me, a lot of variety. I love all kinds of music and people may not know that about me.
I can’t really be pigeonholed. I’m a singer. I just happen to be soulful. I don’t limit myself because whatever I do is going to be me. It could be a pop song but once I get through with it there’s gonna be some “stank” on
it!”

Modern Musings………grooves from the Modern Side with Mark Randle

DJ Spinna & Ovasoul7 You Should Be Loving Me (Original Organic Vocal) (US Wonderwax 12”)

I make no apology for starting the reviews with what is for me, quite easily the best of the recent soulful house vinyl. I’m led to believe that this track originated a few years back, but that certain parts of it had, until recently, been mislaid. The good news is that these came to light otherwise we may never have got to hear this superior slice of deep, soulful house. My immediate reaction on hearing this (once I’d picked myself up off the floor!!) was that it’s TOO good. Maybe I need to explain what I mean. Whilst some soul traditionalists maintain the stance that house music is “banging shite” (I know, such informed opinion eh?), the irony is that there is a whole strain of the genre that will never get soul club exposure because it doesn’t have the kind of heavy 4/4 beat required by those that do actually accept some house music in their soul club. The result: a void left for achingly soulful, musically superior productions like this one to fall right through into obscurity. I’m not going to attempt to describe the beauty of this cut to you, as the whole equals much more than the parts. For instance, there’s no strong, wailing vocal, but the whole thing just washes over you in waves, proof if ever it were needed that soul is best described as A FEELING!! Check this tune out please.

Raphael Saadiq Never Give You Up (US Columbia CD/LP “The Way I See It”)

Now then, those of you reading this that may be already familiar with this album will surely be thinking “has Randle lost the plot, only singling one cut out from this fine album?” Permit me to explain. It was clear from the late 80’s, when Saadiq first appeared as part of Tony, Toni, Tone on Wing/Polydor Records, that he was a cut above and had that extra something. His work since as a solo artist has only served to reinforce that view. Only when he chooses to release this album of 60’s influenced productions do certain factions of the UK soul fraternity decide he’s worthy. So what we have is a situation where, for me as a follower of contemporary soul, as good as this album is I’m left disappointed as I would rather hear the man using his talent to take things forward. Yet those that care little for contemporary soul have gone for this. Do these talents have to do this to be accepted by “soul fans”? Answers on a postcard, but I hope it doesn’t become the norm. I do fear it that it will though, as recently more artists have released material in this vein. The fact that this has also been released on 7 x 7” singles too says it all to me!! Regression ahead of progression or so it seems. Anyway, to the track in question: it’s brilliant, features some bloke Stevie Wonder on harmonica, and is singled out here as the cut that I believe will appeal most to those of similar musical persuasion to I. Check the album out to see if it suits your taste, don’t misunderstand me, it is top quality at what it attempts to do.

Eric Benet Most cuts (US Warner Bros. CD “Love & Life”)

I’m reviewing this CD immediately after the Saadiq offering in the hope that you will listen to these albums side-by-side too. Benet is another super talent from the Saadiq generation, and is here back on great form after his lack-luster previous album. The difference here relative to the Saadiq album is that Eric keeps it contemporary, and as such, whilst it would be difficult to say that this is a “better” album, it is certainly more representative of where I like to see artist’s energy directed in 2008. The killer for me is “You’re The Only One”, a lilting below mid-tempo stepper, with lovely use of strings and subtle horn work…………you get the idea, classy BUT contemporary. “Weekend Girl” is the real dance floor winner from the set, a catchy number with Eric in soulful R&B territory, again well produced with thoughtful use of real instruments throughout. There’s some nice piano work here, and great brass stabs. All told this is a quality set, with a nice mixture of mainly mid-tempo’s and ballads. Welcome back Mr. Benet…………..more like this please!!

Joey Negro & The Sunburst Band feat. Leroy Burgess Survivin’ (Joey Negro Club Mix) (UK Z Records 12”)

Our second slab of vinyl this time around, and I have to confess that it is getting harder to review quality 12” releases as time marches on. However, one or two do still filter through, and we’ll always try to bring you the best of ‘em. Believe me, this is an example of the very best of ‘em. Lifted from the recent CD “Moving With The Shakers” (did we review that recently?), but presented here in a remixed form, is this sure-fire slice of 80’s boogie influenced soulful dance from UK maestro Dave Lee, aka Joey Negro. Negro has his finger firmly on the pulse and consistently delivers the goods, here joined by the legendary Leroy Burgess on vocals. This is a dance floor cert, being infectious, aided by a great hook, which is lyrically uplifting. Good time soulful dance straight out of good ‘ol Blighty too! Essential.

Before I sign off for 2008, a few quick spins to end with. Those of you into the retro feel of Raphael Saadiq could do worse than to check out the new albums from Jazzanova (“Of All The Things” on US Verve) and The Bamboos (“Side-Stepper” on UK Tru Thoughts). The latter features a great cut “Make It Real” featuring the vocals of Kylie Auldist, with the former containing “Let Me Show Ya” with the excellent Paul Randolph on vocal chores, which is also available on 12” vinyl for you vinyl junkies. The Bennson cut reviewed last time out can now be found on CD (EU Raw Fusion), and very good it is too, with the killer title cut “Let The Love” also now making it on to the big black round stuff. The new John Legend CD (US Columbia) has its moments, but is largely disappointing compared to his previous efforts. It will win him mucho plaudits elsewhere though, as there is a lot of crossover potential therein. On the hairy-chested tip, volume 2 of the “Southern Soul & Party Blues” CD’s (US CDS Records) is now on the streets, containing the pre-release bubbler “Time” by Kashious and a few other goodies if southern soul is your bag. Also Will Easley has a new set “Sweet, Sexy Soul” for the same label, with some fine vocal performances included, and the added bonus inclusion of his hitherto sought after CD single cut from the late 90’s, “Don’t Ya Like It”. The Marc Evans CD “The Way You Love Me” (UK Defected) must get a quick mention, only not making the main reviews due to many of the cuts having already received much attention on vinyl. This is pretty essential if you don’t have the 12’s. “Essential Street Soul 2008” (UK Urban Essentials CD) is the latest in the series compiled by DJ Bigger and is the most consistent yet and worth checking out. The new Kloud 9 CD “Enjoy The Ride” (UK Expansion) is cool, with a brilliant Realm remix of one of the cuts “Love’s Just Better With You” taking things into soulful house territory. Rounding things off in that vein then, and our friends in Japan deliver a few real treats with albums from M-Swift (“Evening Sun” on Pony Canyon), and Yukihiro Fukutomi (“Contact” on Avex) hitting the mark, the latter having some great moments from one of my fave ladies, Lady Alma. On Jap vinyl, Especial bring us “Never Let Me Down” by Jose Carretas feat. Dani: more class from this reliable imprint. Finishing with a couple of European releases, and again Jose Carretas is involved, this time featuring Marcus Begg on the great “Cutting Me Up” (UK Jus’ House), which sounded real good loud at the Prestatyn Soul Weekender, and finally the essential Richard Earnshaw remix of “Make It Alright” from Lenny Fontana and Joi Cardwell, sounding like a sure-fire dance floor winner from the Stalwart label. Don’t sleep on this one!

Mark Randle’s Starpoint Radio playlist for November 2008:

Jazzanova feat. Leon Ware & Dwele – Rockin’ You Eternally (US Verve CD)

Yukihiro Fukutomi feat. Lady Alma – That Music (JAP Avex Entertainment CD)

Oli Silk ft. Donnell Spencer Jr. – That Kinda Love (US Trippin ‘n’ Rhythm CD)

Formation Soul feat. Nova Starr – Enjoy (Original) (UK Centric 12”)

Tracy Cruz – Let Me Sing (US Ivory Sky Productions CD)

M-Swift feat. Hazel Sim – Make It On My Own (JAP Knife Edge/Pony Canyon CD)

Jon B – Paradise In U (US Arsenal Records CD)

Deborah Cox – You Know Where My Heart Is (US Deco Recording Group CD)

Yukihiro Fukutomi feat. Lady Alma – Time For Change (JAP Avex CD)

Keni Myles – 4 This Love (US Keni Myles CD)

Jose Carretas feat. Dani – Never Let Me Down (JAP Especial 12”)

Slique – Your Body (JAP Toy’s Factory CD)

DJ Man X and Albert Sterling Menendez feat. Blaze

Quasimode feat. Carmen Lundy – Sounds Of Peace (JAP Geneon CD)

Love Can Change Your Heart (Blaze Vocal Mix) (US Deep Haven MP3)

Jazzanova – Theme From Belle Et Fou (Danny Krivit Edit) (EU Sonar Kollektiv 12”)

Kashious – Time (US CDS CD)

M-Swift feat. Donna Gardier – Set You Free (JAP Knife Edge/Pony Canyon CD)

John Legend – Good Morning (US G.O.O.D. Music/Columbia CD)

Kadice – Ready, Ready Love (UK Urban Essentials CD)

Sam Bostic – Still Missing U (UK Soul Jones/Expansion CD)

Willie Clayton – I Feel A Cheatin’ Coming On (US Malaco CD)

Tonya (Baker) – Joy Of Forgiveness (US Kingdom Records CD)

Doktu Rhute Muuzik (Roy Hightower) – Don’t Feel Sorry For Yourself (US CDS CD)

SIMPLY SOUL MAIL ORDER HOT TEN SALES

(w/c 24/11/2008)

1. Incognito – Step Aside (Dimitri & DJ Meme Remix) (UK Dome 12″)

2. M-Swift – Evening Sun (JAP Pony Canyon CD)

3. Various – Essential Street Soul 2008 (UK Urban Essentials CD)

4. Jazzanova – Of All The Things (US Verve/Universal CD)

5. Family Of Eve – I Wanna Be Loved By You (Remix) (US Kaydee 12”)

6. Main Ingredient – Evening Of Love (Re-Edit) (US Path 12”)

7. Slique – Rhythm & Ghetto Soul (JAP Toys Factory CD)

8. Blu-Swing – Revisions (JAP Columbia CD)

9. Various – Southern Soul & Party Blues Vol. 2 (US CDS CD)

10. Bennson – Let The Love (Remix) (EU Raw Fusion 12”)

Web – www.firstexperiencerecords.com

Tel / Fax – 0116 237 5461

Email – markcoddington@btinternet.com

Cheers,

Mark (December 2008)

Tracy Cruz – Feel’osophy

A strong and consistent album with multiple good tracks, such is the quality of indie albums these days, you just gotta deliver…..and this one does.

Emotional Love for me is the top cut, great instrumentation and beats, lots going on without being overcrowded, plenty of drive with a neo come r’n'b feel.

Can’t Change Me is also a great track, jazzier and funkier but still against an R’n'B backbeat, and one that is capable of appealing to different generations and genres.

The duet I breathe you is a love ballad full of emotional contact.  A better day is also stong, upbeat and optimistic,

Let Me Sing, a lighter kind of tune, maybe more instant is not far behind either.

The song writing is strong and covers lots of emotions, thoughts and feelings, some of them personal I would suggest.

Great contemporary R’n'B/ Soul for now.

Tracks -1 Nothing in this World2 Let Me Sing3 Emotional Love4 My Valentine 5 I Breathe You 6 Son-Shine 7  Expression Sensation 8 Your Dreams 9 Blue Eyes 10 Can’t Change Me11 Weathered Down12 A Better Day 13 Amigo 14 Waited For You 15 Take Me  16 Don’t Leave

Links – http://www.tracycruz.com/

Info -From her presence to her music to her life’s path, Tracy Cruz has become one of the most galvanizing, all-natural wonders. Wherever she goes, she wows and astounds. Strong melodies, catchy hooks, introspective lyrics, and lush arrangements characterize Tracy’s soul/jazz/R&B creations. At knee high, Tracy started blessing stages at the age of twelve, competing in talent competitions and coming home with trophies. 15 years later, she continues to capture the hearts and ears of many through her powerful voice and memorable melodies. As a mother, wife, songwriter, and performer, some wonder how she managed such a sweet comeback; but she didn’t do it alone.

Through the musical inspirations of Jill Scott, Lauryn Hill, Sarah Vaughn, and Ledisi, Tracy Cruz has blended her favorite distinctive vocal styles to create her own rare sound. As the primary songwriter, she brings her personal observations and experiences on love and life with eloquent storytelling and vivid imagery to her songs. Her album “Feel’osophy” – (released September 23, 2008) – is the study of emotions through musical words and sounds. The 16 track album encompasses all layers of feeling such as joy, sorrow, anger, excitement, and hope.  Tracy Cruz and executive producer Allen Ross purposely used different vocal styles and musical arrangements to truly capture a world of emotion. Listeners will take an emotional journey of wonder through “Blue Eyes,” hope with “Don’t Leave,” and passion with “Expression Sensation.”  All songs were either written solely or collaboratively by Tracy Cruz or Allen Ross, with Ross remaining the musical producer. This album is a clear cut statement about the true power of divine love through the journey of life. The past few years have been a whirlwind of sorts for Tracy. This album serves as tremendous representation of a struggle that she powerfully deems “beautiful.” Despite the trials and tribulations of her personal life, Tracy Cruz has simply not lost her “spiritual being.”

Lead siren Tracy Cruz and luscious band “Smooth Session” have graced many stages such as the 102.9 FM KBLX Soul Music Festival at the Chronicle Pavilion, Maxwell’s Lounge, Voodoo Lounge, Straits Restaurant, Santana Row, Marilyn’s on K, San Jose and San Francisco’s Juneteenth Festival, Ninhonmachi Street Festival, Agenda Lounge, Hotel Valencia, Temple Bar,  Sofa Lounge, MACLA Theatre, Fanny and Alexanders, and many more. The strong, eclectic army never fail to rock the party and seductively charm a crowd. Though a young lady, Tracy is already a seasoned veteran of the industry.  She was a background vocalist for soul singer Ledisi (Verve/Universal).  She has opened up for Apl de Apl of the Black Eyed Peas at the 4th Annual Asian Heritage Festival in San Francisco. In April 2005, Tracy released an EP entitled “ILLUMINATE LOVE,” which was entirely produced by Allen Ross. Her song “For You,” featuring Kanetic Source, former emcee of Grammy Award winning hip hop/latin group Ozomatli, has accumulated national recognition and over 50,000 plays on internet websites like Myspace and Soundclick. She was a special guest vocalist for “World Musikahan with Ryan Cayabyab” show which was shown globally on ABC-CBN television network.

Tracy has rocked the stage alongside Martin Luther, Crown City Rockers, the Fingerbangerz Crew, Breakestra, Pep Love, Living Legends, and Zion I. Tracy is featured as a guest vocalist on Esoin’s (hip hop artist) album “Overdue Books”, Allen Ross’ Christmas compilation “Keys to Christmas” and Lil’ Lala’s (hip hop artist) album “Life After Death: My Life, My Story.” She has been a background vocalist for neo-soul artist Adesha and the band “Seven.” Honing her writing skills and developing a unique vocal style, she has come up with an album that has the ability to captivate the emotions and attention of listeners of different ages and all walks of life.

Tracey Harris – Love 365

Had this for a while now and it has been getting some plays by me on the radio and stuff, but been a bit slow in getting this on here, such is my backlog!

Wel this is a quality release for 2008, and from what I can gather certain tracks are appearing in top sounds for 2008, and deservedly so.

for me the top tracks are the excellent Precious Friend, a slow and sultry ballad, For a Moment in Time, with its happy and summery flow,  and Can’t Settle for Less another strong well delivered ballad.

That said wherever you drop on the album you are pretty much guaranteed a beautiful love song, well produced, well written and given to you with Soul.

Tracks -      1 Music     2 Romantically     3 Precious Friend     4 Missin’ You  5 Take Time Out for Love     6 Can’t Settle for Less     7 I’m in Love     8 That’s How Much     9 What I Offer You    10 For a Moment in Time     11 When I Kissed Your Lips

Links

http://www.traceyharris.net/

http://www.myspace.com/woodswayentertainment

Info:-

Born and raised in Portland, Oregon, Tracey began singing solos in her high school choir, vocal jazz ensemble and community choirs.  Her first national recording job came in 1986, when she sang background vocals on Grammy nominated artist Najee’s debut recording “Najee’s Theme.”

Tracey later went on to record her first cd “Keep On Believin’, a mix of contemporary gospel and inspirational songs on the Pamplin Music label in 1997.  In 1998, Tracey was a featured vocalist on the Grammy nominated inspirational/gospel cd “Motown Comes Home”, a compilation of past, present and future Motown artists.  The cd featured Stevie Wonder, The Temptations, Smokey Robinson, and Boyz II Men.

Tracey is also a featured vocalist on the spring 2007 release of Pink Martini’s “Hey Eugene”, and performed the single live at Carnegie Hall and on the David Letterman Show in June of 2007.

With the September 2008 release of her sophomore cd, “Love 365”, on Woodsway Records, Tracey explores the many facets of love and relationships giving her listeners a first hand look into the heart and soul of love.

Tracey says, “Grown folks music is what we call the vibe of this cd.  Making a cd that reflects positive messages about love and relationships is something we wanted to focus on.  It’s personal for me, because I co-wrote and produced all of the songs with my husband.  We love the slow jams, and the old school grooves, and wanted to incorporate those with the new sounds of today….which equals a vibe of our own.”

For those searching for sophisticated love songs, Love 365 is exactly what you are looking for……a great dose of feel good “grown folks” music!

Wiley and the Checkmates – We call it Soul

Review – I’m not so sure about this, yes it’s an album steeped in the traditions of Southern Soul, and Wiley and his Checkmates have are certainly proficient, deeply involved, know what its all about and so on, but at the end of the day does it really grab me or offer me anything fresh or extra and I have to say, no not really.

On the other hand thats what this style is all about so thats what it is so on that level it is hard to be critical.  If thats your bag you’ll like this.

It’s clean, professional, of a kind and if I heard this in some joint I’m sure I would enjoy it and whats more it would sound exactly the same as the CD.

Standout tracks for me are I did my part, the dead slow dirge, All the way wrong which sort of brought visions of Toussaint McCall to my head.

Links – http://www.wileyandthecheckmates.com/

http://www.myspace.com/wileyandthecheckmates

Info: – Wiley and the Checkmates are the sound of classic soul music. From the their very first dynamic performances, it was clear that The Checkmates were to become one of Oxford, Mississippi’s favorite bands. Local audiences now regularly stretch fire-capacities at Checkmates shows, while dozens more listen from outside, unable to resist dancing. Inside, spirits are always high as the band powers through skillful treatments of ‘60s and ‘70s classics as well as their own phenomenal originals — ten of which are now available on their debut album “Introducing…”. From the James Brown-inspired “Dog Tired” and the moving ballad “Eyes of the World”, which singer Herbert Wiley wrote in the mid-sixties for a high school sweetheart, to crowd favorites like “Sweet Breeze” and “You Can’t Pull the Wool Over My Eyes”, the Checkmates’ songs are finally available to a larger audience.

Herbert was born in Oxford. His father was a successful African-American businessman who ran a chain of shoe shops on Oxford’s courthouse square. Herbert would eventually take over the family business, but not before a detour into the music business.

The Checkmates formed in 1960 and Herbert was soon leading the band on shows in Memphis bars like Club Paradise and at North Mississippi juke-joints like the Dugout in New Albany, Big Willie’s Blue Room in Batesville, and the Backwater Inn outside Oxford. By the start of the ‘70s, the Checkmates were touring the Southeast and playing behind guitarist Sam Mosely and organist Bobby Johnson. Under the name “Bob and Sam and the Soul Men,” the Checkmates released the instrumental single “Mississippi Mud” with Herbert playing bass. The band played behind Cozy Cole of “Topsy” fame and soon met guitarist Gatemouth Brown and backed him on area shows. Soul legend Percy Sledge hired the Checkmates as the house band on a revue-style tour that traveled north from Memphis to Chicago. In Chicago, the band played behind Hi Records artists Otis Clay and Syl Johnson.

In the mid-‘70s, the Checkmates went their own ways with band members taking jobs and starting families. Herbert married and raised four children while continuing to run the family business. In 2002, Herbert was overheard playing bass by local musician George Sheldon, who was opening the Longshot bar next door to the Wiley Shoe Shop. Sheldon offered to help build a band around Herbert and, after a 25-year break, the Checkmates were reborn.

Herbert brought together gospel, jazz, and rock musicians and fashioned a modern take on the sound of the original Checkmates. With the Longshot as a home base, the Checkmates were free to develop a repertoire that draws from the best in blues, funk, and R&B. The Checkmates soon had a full set of original music and enlisted the help of Fat Possum Records’ producer/engineer Bruce Watson to commit the songs to tape. Recorded at Watson’s studio in Water Valley, Mississippi, “Introducing…” finds the Checkmates playing a variety of soul styles from the classic ‘60s R&B of tracks like “Gonna Find A Way” and “Sixteen Miles” to “Messed Up World”, a chaotic tribute to‘70s Blaxploitation movie soundtracks.

Nikki Wade

http://www.divadoment.com/

Nikki Wade is well known in the Atlanta Soul Music scene through her performances and events through her business Divadom Entertainment. And having seen her perform and promote I can assure you that you will be in for a good night.

Not sure of the availablity of her tracks, but they can be hear on her myspace page – http://www.myspace.com/burndiva but I m sure if you made contact through the above links you could work something out.  I know she is keen to put some new music down.

In the meantime the tracks available are jazzy and soulful, ranging from a slow soulful ballad like Still, or leaning more towards R’n'B on Think Twice.  The best track is probably the midtempo Super Music Star.

Look out also for her son Khiry who is showing great promise as a rapper and in performance art.

Nikki and Khiry Wade

Tondrae Kemp – Shinola Flow

Links www.myspace.com/tondraemusic www.tondrae.com

Only got the sampler to go by, but this looks like a sea change for Tondrae.  It sounds cool, with Tondrae pushing out beats, thoughts, prose and song. He seems to have gained a confidence which allows him to do what he wants to do and what he feels, rather than follow any particular type set. Power to him for that, looks like its going to be an interesting project.

Anonamas – Truth Thru Fiction

Click pic to sample and purchase

Review – well this one passed me by from 2006 until I had the opporunity to meet Anonamas a couple of months ago. What comes across immediately is a vibe, a laid back, stripped back hip hop vibe with soul and with conscience. The beats laid down by jewels of Sunz of Soul compliment the delivery and word craft of Anonamas perfectly.

This Moment sets the scene, the tempo is never great, which leaves you able to get inside the lyricism and poetry. Using guest rappers where appropriate but Anonamas is in control.

An album that you can just vibe or chill too but equally at a stronger level can get inside.

Links – http://www.infinitesoulmusic.com/

Info – Anonamas is – words, lyrics, and song, with a simplistic vibe, a hip hop beat, and a strong message. Anonamas is taking hip hop/R&B down an unmarked trail, on the cusp of the Neo Soul era. This native of the Eastern Shore of Maryland has always had a passion for music and a gift for words. Many have compared her style to that of Jill Scott, the groove of Lauryn Hill, and the mysticism of Les Nubians, -yet its an original sound. Having this, with the collaborations of melody (she can carry a tune!!) will leave a lasting impression on any listener who loves hip-hop/soul and well thought out lyrics.. Anonamas’s up and coming CD – TRUTH THRU FICTION depicts life and stories, through the eyes of a young black woman- encountering life and its day to day endeavors, with songs ranging from love to the inner most thoughts of the world through her eyes. With thought provoking lyrics and a phat*ss beat – which is produced by Jewels from the Sunz of Soul, this album is a demonstration of the next level hip-hop/R&B will take.

The fusion of Jewels beats with Anonamas’s lyrics complements each other quite well, its almost hypnotic. From the moment you start the CD you will have experience SOUL music. This complete composition embodies all facets of life, anyone anywhere can relate to the experiences Anonamas sings about. She puts an unusual spin on lyrics, and allows the listener to stop and think about the ups and downs of emotions, as portrayed in the song “GIFT OF PAIN – “Anxiety has taken me from highs to lows, peace will come before I’m done. But for today I posses none”. She paints a picture of a childhood crush in the song titled “LITTLE GIRLS PLEA”, and even the strength given by God in the song titled STILL HERE. These and many other songs have their own message, and persona all its own, Truth thru Fiction is more than just a one dimensional experience, its an awakening.

Check out her video for “This Moment” here: http://www.youtube.com/watch?v=gXWRWqhejyc

Sunz of Soul – Birth of a movement

Also check out the related album bu Sunz of Soul an execellent album of contemporary real hip hop, especially tracks like Yeah Ya’ll, Hard times, Bass and Treble and Footsteps written by and featuring Anonamas.

An excellent solid and consistent album.

Info – Birth of A Movement, the sophomore release from Sunz of Soul, is not just another hip-hop CD, it’s an experience that could possibly serve as the catalyst that converts hip-hop into a true art form. It’s the fourth commercial release and the fifth overall project released by Infinite Soul Music, the label that prides itself on artistic integrity.

The project is best described as an eclectic, soulful journey through the Sunz’ inner mind’s eyes–accented with timely, pertinent social and political assessments and commentary.

Jewels filters his signature urban thump into a bona fide soul-sonic force, while Blak Mamba waxes prophetic and poetic over undiluted soul tracks. The duo’s chemistry, dexterity, and hip-hop acumen is boldly brandished as they launch banger after banger in an unrelenting barrage of pure hip-hop soul.

Birth of a Movement is a collection of 16 possible lead singles of varying tempo, content, and intensity. There is no filler-material on the project.

“1st Things First,” on Birth of a Movement the Sunz of Soul take you on a soulful journey that tells you “Just How it Is” with colorful language, head-nod-inducing beats and a chemistry that makes the project a true monster. “It’s So Hard” to put the experience into words, so let me take “2″ seconds to compose a proper description.

It’s really about real life experiences. Not the dramatic shock and awe hood-tales that have become almost a caricature of themselves, but epic depictions of “Life and Love” that people from all walks of life can relate to and believe.

You will never be inclined to skip a track, although you may need to adjust your “Bass and Treble” to maintain the integrity of the perpetual groove. A stark departure from the mindless clowns who are “Sayin Nuthin,” this one-hour soul tutorial emphatically confirms that Blak Mamba and Jewels are “On Some Other” ish!

Sunz of Soul follows the “Footsteps” of acts like The Roots, Common, and A Tribe Called Quest in delivering material that’s off the beaten path, yet appeals to all who crave substance in their hip-hop. “Don’t Sleep!”

Bukola – Hypnotised (Domu & Marc Mac Remixes)

Links – http://www.myspace.com/bukolabiz

http://www.bukola.biz/

Hypnotised is the official single taken from Bukola’s debut album Which Way.

The undergound UK Soul Sensation has teamed up with Domu and Mark Mac (4 Hero) for two fresh remixes.

My preference is for the stripped back Marc Max remix, which gives the vocal more edge against the sparser beat and easy yet strong vibe.

The Domu mix is kind of irritating sadly.

Info: -

Bukola began exploring her own voice and style with the deep rough soulful tones of Repeat Ophenda. In 2003 Bukola met D’Syfa and they quickly began building up a large catalogue of songs. Acting as a great catalyst to each other they have evolved and grown together, constantly refining skills, learning new ones, and always surprising each other.

With the unusual soulful, break beat, hip-hop style; each song is it’s own masterpiece. Every song is very different from the last, and Bukola is always trying new things.

In June 2004 Bukola’s debut single, ‘the Voodoo EP’ was released. In December 2004 Bukola ventured out to South Africa and filmed a video for the track ‘Keep High’. Whilst out there Bukola managed to get a few performances in and around Johannesburg, including a a live show on Metro FM, and a live PA at Citrus Lounge. The reception was great – Bukola found some good friends and wonderful audiences .

In January 2005 ‘All City EP’ was released, this was a four track EP featuring the previous release with two added tracks, ‘Keep High’ and ‘Cupid’.

The Bukola Project then re-located to Cyprus for seven months. During this time Bukola and D’Syfa worked on new material and the team filmed a video for the track ‘Secret Prayer’. The ‘All City EP’ was promoted during this time and the track ‘Keep High’ was regularly play-listed on ‘Mix FM’ and ‘Radio Napa’.

In December 2005, Bukola and D’Syfa once again ventured out to South Africa to finalise the editing of the ‘Secret Prayer’ video. Whilst in Johannesburg they managed to squeeze in some memorable and well received performances at ‘The Horror Café’, ‘Back 2 Basics’, ‘Songwriters Club’, ‘Citrus Lounge’, and the ‘Fuel Bar’. Bukola continued to rock the place as a warm up act for MXO, South Africa’s award winning afro jazz funk band, performing in the heart of Johannesburg at an all day AIDS/HIV awareness festival ‘When life Happens’.

During 2006, Bukola spent time writing and recording material for her debut album, and tested these out with the odd live performance………

In 2007 the album was finalised, and went through a radio campaign with Outpost media which led up the release in October. This was marked by an Album Launch at The Luminaire in North London, where we performed the album live with a 5 piece band. It was an uplifting night and well-received by all

Then, things did not run so smoothly and in November 2007 the Goya Music distribution company folded. Luckily Timewarp loved the ‘Bukola Project’ and took over Goya’s role. Timewarp’s enthusiasm drew much interest both in the UK and abroad. However, the ride was not so smooth again and Timewarp folded. Kudos then picked up the baton.

In December 2007 Bukola headed back to SA where they filmed the video for ‘Hypnotised’ and preformed once again at various venues with great response.

During 2008, due to a family bereavement, Bukola took some time to reflect and re-coup.

In the very near future, Bukola will be releasing a physical and digital single from the album ‘Which Way’ entitled ‘Hypnotised’. The release will feature the original album mix, supported with remixes from the infamous Marc Mac (4hero) and Domu (Treble O). There will also be extra reinforcement in the way of a video courtesy of Unleashed.

Sean Rasul – Ghetto Child

Click Picture to purchase and sample

Review – Probably more hip hop orientated than the last album, but the visual patterns portrayed through the visions, the poetry, the mood and the theme come across very strongly.

The piece is very much conceptual, and the words illustrative. It mostly is very visual, with the laid back poetry and rhymes setting the scene and flowing quite nicely.  Occasionally eg on Hooked it veers into the more derivative, but by and large it is fresh and deliberate.

The next soldier is slightly different with almost a reggae, kinda funky vibe,otherwise it is broadly poetry an hip hop, before building into the closing8 minute ‘epic’ which is harder where the conclusions are drawn on the piece.

Links -http://www.myspace.com/seanrasul

http://www.seanrasulblog.com/

Info – Sean Rasul is an independent artist from Chicago, Illinois.  Born and raised on Chicago’s West Side (Division and Central), his journey began “back in the day” when he would freestyle with friends on inner-city blocks.  He has since written countless songs and poems and has performed spoken word pieces on stages in the United States and Japan.  His musical and inspirational seeds have been planted as far as the United Kingdom and France.  He has shared stages with Fat Joe, Chamillionaire, Slim Thug, Bone Thugs-n-Harmony, and Geno Young.

Sean draws inspiration from his ancestors, his experiences, the successes and failures of others, places he’s been, and from studying life, using that inspiration to paint a picture.  Like it or not, he puts the picture on display.  His success is defined by the mere fact that he is actually doing what he loves.

Rasul released his debut album, The Showcase (Country Cool), in March of 2005.  The album was produced entirely by Grammy Award winning songwriter and producer, Madukwu Chinwah, who also created hits for Erykah Badu, N’Dambi, and many others. The album was an inspiring effort that blended old and new school musical elements and featured wonderful spoken word poetry, hip-hop, and smooth urban grooves.

Sean Rasul’s new album, Ghetto Child (Live Root/WRIMG), features more hip-hop, a few spoken word pieces, and soulful/experimental jams.  With guest appearances from Big Sid & LD of Playaz Choice, proteges Neri & Alexis, KaDi of Kinetic Soul Entertainment, and solid production from Texas producers Chinwah (Dallas), Michael Duque (Austin), Yung Chill (Houston), and German based Kemo of Evocators, Ghetto Child demonstrates significant growth for the driven and determined artist.

The Birmingham Sound – The Soul of Neal Hemphill Vol 2

Links – www.therabbitfactory.net

Another great set featuring a whole bunch of stuff coming out of the  Birmingham scene from the vaults of Neal Hemphill, and digging the crates with rarities, unknowns and previously unissued. 24 tracks and superbly packaged.

Ranging from upbeat thru deep all with a hard southern soul edge, but with the Birmingham stamp on it. Some fantastic tracks on here, none more so than Chuck Mitchell’s superb Let Me Be Myself. Of course, David Sea is always consistent and good and that is confirmed with the excellent Work Hard

Take My Hand by Frederick Knight is also very worthwhile, an artist that I hadn’t really cared for too much previously.  Soulful Sound of Music and Strickly Soul by Bobby Dobyne and the Barefacts are two examples of fine upbeat 60’s soul.

Set Me Free by Sam Frazier does a version of Set me Free. a song popularised in Northern Soul circles, by Ralph Jackson, who also features on an alternative version on this set, with his original version being on volume 1.  Sam’s version actually is not too different, still good though. Set Me Free (demo version)Ralph ‘Soul’ Jackson

Stop By by Chuck Mitchell is a deep soul ballad of the highest order and Chuck is fast becoming my favourite artist on this compilation.  Let’s Go To The End Together by Frankie is a wonderful sweet soul ballad.

Other tracks are  Get Up and Get At ItUnknown TestifyCortez Greer MatchboxRalph ‘Soul’ Jackson

I’m a Telling YouWes Lewis InstrumentalS.O.B. Da Da Dee Dee DaCortez Greer Everybody’s Doin’ The WormHope Parker It Slipped Right By YouFrederick Knight Oh When You Wake UpFletcher Flowers How When or WhereFrederick Knight Take Me BackSam Frazier Best Of My YearsWes Lewis Let Your Sweet Love Surround MeRalph ‘Soul’ Jackson . Knock In For A Second ChanceLee Wilson I’ve Been Lonely For So Long (demo version)Frederick Knight

I have been critical of some compilations that have dug into the vaults for the sake of rarity, ego, completeness or some other reason and issued substandard packages, which actually are detrimental rather than being positive.  I cannot say this about this set, compiled with love, but also coming out with, by and large, a fabulous quality set.

The work here is mostly deep soul, but is often quite upbeat as well — a nice change from standard modes of Memphis, Miami, or Muscle Shoals at the time — and proof that the Birmingham scene really deserves a closer look. Titles include “Best Of My Years” and “I’m A Telling You” by Wes Lewis, “Work Hard” by David Sea, “Let Me Be Myself” and “Stop By” by Chuck Mitchell, “Instrumental” by SOB, “Testify” and “Da Da Dee Dee Da” by Cortez Greer, “Let Your Sweet Love Surround Me” and “Matchbox” by Ralph Soul Jackson, “Knock In For A Second Chance” by Lee Wilson, “Set Me Free” and “Take Me Back” by Sam Frazier, “Everybody’s Doin The Worm” by Hope Parker, “Let’s Go To The End Together” by Frankie, and “How When Or Where” by Frederick Knight.

Independent Soul Divas – Independence Day

A very fine album indeed featuring lots of artists we have featured on my site over the years, friends of life and soul, some indeed are personal friends, so I’ll try not let that affect any coments.

Maya Neiada – I Need A Moment is in fact a new name to me and this track is organic percussive and quite funky, a great opener.  Chanel’s Lovely Day is majestic, a beautiful track and destined to be one of the top tracks of the year, on one level very simplistic, but on another spellbinding.

Lina’s upbeat Feel The Love has enjoyed many plays in the UK’s soul rooms and it’s place is merited on that basis.  Lea Lorien – It’s Not Easy actually comes alive on the remix, so look out for that.  D’Cheri – I’m Alive take’s you along on the vibe, is nice but doesn’t really go amywhere.

LeNora Jaye is held in very high esteem by a good number of people I know and tracks like Taking Over will help to get that view across to a wider public.  Another artist that has received some recognition in the UK is Rene Jones and Summer Day is one of her finest.

Caprisha’s Flow Like A River is light and airy, one to put a smile on your face, and there’s nothing wrong with that.  the ever wonderful (Ok so I said friendships wouldn’t get in the way of a review!) Kelli Sae’s Latina, a joyful percussive Latin track from her first album.

More R’n'B than anything on offer thus far Margot B’s Crush will keep the floor bumping at R’n'B jams.  Nikkole – Breathe is chilled right down, stripped right back, very slow and seductive – Nice.

Rena Scott – I Know It’s Right is an exclusive 2008 Remix to Lola Waxx and it exudes sheer quality, the best track on the album.  Syreeta Sha’Nee – It Is What It Is is another dancefloor R’n'B cut.  Stacye Branche – The Way You Love Me is very nice, moderately funky, doesn’t quite deliver what it promises in the first minute.
The UK’sTiny Lou concludes matters with a full on house bersion of Gypsy Woman

Great to see an album like this being put together in the UK, slightly outside the usual UK ‘box’

Link – http://www.lolawaxx.com/

Info -

Independent Soul Divas

MAYA NEIADA
Maya says that her name means ‘Illusion’. ‘I Need A Moment’ has been a favourite at Lola Waxx for sometime. Atlanta’s Maya lists her influences as Erykah Badu and Sade and this petite powerhouse was weaned on Earth Wind & Fire, The Emotions and Teena Marie. We decided to let Maya open Independent Soul Divas with this bouncy up-tempo neo-soul joint.

CHANEL
Chanel’s debut ‘My Life’ topped many a European Chart and her contagious US R&B debut smash ‘I’m So Over You’ produced by Younglord (Beyonce, P.Diddy and LLCool J) got her that crucial exposure in the US market. Indie label Mapp Records is reaching out to a new generation of global listeners with its soul infused dance and R&B sound. If ever an artist represented the sound of a label, then Chanel represents the sound of Mapp. The future’s looking bright, the future’s looking Coco Chanel

LINA
Los Angeles based singer songwriter and founder of Moodstar Recordings; Lina (formerly Atlantic & Hidden Beach) is actually a citizen of the world. Her style reflects this as she seamlessly manoeuvres her vocals over a number of styles from traditional jazz to neo soul. They don’t call her a ‘Vocal Chameleon’ for nothing. Taken from her ‘Morning Star’ album, ‘Feel The Love’ is a slate, which continues to ensure that this lady remains at the top of the Indie game.

LEA LORIEN
New Yorker Lea Lorien’s debut single ‘How Would You Feel’ on David Morales’ ‘2 Worlds Collide’ set in 2004 topped club charts globally even knocking out Destiny’s Child and Ciara on the Billboard Dance Radio Play Chart in the US. Having worked with Mary J Blige, Brandi and collaboration with Alicia Keys, Lea is now working on her solo album. Lea’s also the voice of ‘Sunny Funny’, PaRappa The Rapper’s girlfriend on the Playstation2 game!

D’CHERI
D’Cherie is Lina’s stable mate at Moodstar Recordings. Named after Stevie Wonder’s ‘Mi Cheri Amour’ by her aunt, this lady is surely destined for greatness! ‘I’m Alive’ is a bouncy mid-temp soulful cruise with a hint of a nu soul back groove. Rest assured D’Cheri is breaking through the ‘bump and bass flavour of modern mainstream music’.

LeNORA JAYE
Atlanta based LeNora Jaye’s influences span the last 40 years from Quincy Jones to Ella Fitzgerald with a dash of Funkadelic. LeNora shuns the current climate of manufactured and processed ‘rump shaking pop tarts’ with a yearning for traditional production values and original songs. ‘Taking Over’ has been receiving regular airplay on the UK’s Soul and R&B stations. Reminiscent of a laid back sweet soul vocal style of the decade that was the 1970s, ‘Taking Over’ is the real deal as is the lady herself.

RENE JONES
Rene’s debut album ‘Chill Factor’ was received with interest on the UK soul scene and a lot of the support for this album still continues to come from the UK. Rene’s path to ‘Chill Factor’ came in three easy steps, from poet to songwriter to songstress. Well� Atlanta’s Rene makes it look effortless although we’re sure she’ll agree that a lot of hard work went into it.

CAPRISHA
The third Diva from the Moodstar ranks is Chicago native Caprisha. Now based in Los Angeles, Caprisha has travelled the globe sharing the stage with Chaka Khan, Thelma Houston and Eric Benet to name just three. ‘Flow Like A River’ does exactly what it says.

KELLI SAE
Kelli’s credentials are impeccable, Count Basic and Incognito appear on her CV. Kelli has opened stage for legends such as the late Curtis Mayfield and David Bowie not to mention that she’s performed with Tina Turner. Taken from her solo ‘Heroine’ set co-produced with Peter Lord and Jeff Smith (The Family Stand), Latina is a reflection of her Puerto Rican roots.

MARGOT B
In 2005 Pittsburgh’s Margot B released her debut album ‘Unframed’ which has led on to her opening for the Black Eyed Peas, Kelly Clarkson and Nelly Furtado. Margot’s now on her third album and she joins Independence Day with ‘Crush’.

NIKKOLE
Who was it that once said ‘more bounce to the ounce’? Roger Troutman and Zapp! Well Los Angeles based Nikkole has more than enough bounce to go around. Since the release of her critically acclaimed album ‘A Girl Like Me’ and her infectious ‘Bounce’ single, Nikkole has been building up a strong following not only at home but in Europe and Japan. ‘Breathe’ is a smouldering groove over which Nikkole’s vocals glamorously meander. Look out for the new album Creolepatra.

RENA SCOTT
A legend in her own right, Rena has worked with the legends, George Benson, Natalie Cole, and Michael Henderson. Her 1979 album on Buddah/Arista was produced by the powerhouse of Mtume and Reggie Lucas. In the 80s Rena came on board with founding Crusaders members Joe Sample, Wilton Felder and Stix Hooper after the departure of Randy Crawford. In 2005 Rena’s career took a further boost with her highly successful, ‘Let Me Love You’ album on Amor Records and the offshoot single ‘Remember’ that powered its way up the US Billboard charts a year later. Rena’s contribution is a 2008 rework of ‘I Know It’s Right’ from that album exclusively for Lola Waxx.

SYREETA SHANEE’
The ‘Little Princess’ (that’s what Syreeta means we are told) of Hip Hop R&B based out of Atlanta is currently cooking up an ‘eclectic flavour’ of R&B, Neo-Soul, Hip Hop and Pop. ‘It Is What It Is’ has the appeal of an upbeat crossover number tailor made for radio playlists.

STACYE BRANCHE
Everybody Loves Stacye! Her first album ‘Believe’ gathered a worldwide fan base from the UK to Japan. Her second offering ‘For The Man I Love’ (as with the first) was finger printed by Lloyd ‘The Dub LT’ Tolbert. We eagerly await her third album, which we understand charts the growth of Stacye as an artist, credible stuff indeed! Stacye’s songs often appear on movie soundtracks so next time you’re watching a Sony or Dreamworks flick, it just could be Stacye’s voice that’s setting the scene.

TINY LOU
The UK’s rising star on the Garage, House and Breakbeat scene chips in with her cover of the 1991 Crystal Waters classic ‘Gypsy Woman’. This full length thumping Soulful House mix by Angel Farringdon nicely rounds off proceedings

Tia Dae – It’s a Nu Dae

Click Picture to purchase and buy

A short but very fine album from Tia Dae, a neo soul jazz artist.  I Remember is a fine opener in the organic neo soul vein.

Dance Wit Me is upbeat and has received some dancefloor action in the UK.  Natural High is the pick for me, midtempo, catchy, fingersnappy, badu-esque with nice jazz tinges on  the sax and piano.

Quiz Called Life is more percussive, near spoken in places, different vibe where jazz meets soul.  Jonezin’ and I’m Tryin’ are very moody.

It may be short but all the tracks are of a good quality.

Tracks –     Nu Dae (intro)     2 I Remember     3 Dance Wit Me     4 Natural High     5 Quiz Called Life     6 Jonezin’     7 I’m Tryin’

Links – http://www.brightvisionent.com/

Info – Tia Dae is a vivacious, energetic, Neo Soul artist/entertainer blessed with the gifts for the performing arts.

Tia realized she was multi-talented at the tender age of 5. Her grandmother would always call her out when company came over so she could be the entertainment for a while. She would have Tia do everything from impersonating people to singing one of her favorite songs.

By the time Tia reached Jr. High School, she became known for her breath taking vocals. Tia began performing in local talent shows where she met then manager William Mobley, CEO of RAD records. Through Tia’s eyes her music career began to flourish. At 15 yrs old, Tia started performing at local venues like Georgia Ave Day, Unifest, and the Black Family Reunion; and was interviewed by Laura Outerbridge, from The Washington Times, May 1993.  That article appeared in the Life section of The Washington Times on May 26, 1993.  By December 1993, Tia was grabbing audiences with her classic R&B vocals and personality, and was recognized with a lengthy article primarily about her in the Northern Virginia Rhythm Entertainment Guide.  In 1994, Tia appeared “Center Stage” in The H.Y.P.E Magazine’s January issue, and later that year was a nominee at the 9th Annual WAMA (Washington Area Music Awards) Awards in the Urban Contemporary category with known artist such as Me’Shell Ndegeocello, Toni Braxton, and Tanya Blount.  By the time Tia turned 16, she was on the road with her act.  She attended the Jack the Rapper convention consecutively for two years, once in Atlanta, Ga. and then in Orlando, Fl.  Tia also had the opportunity to perform live in front of thousands of on-lookers at the Six Flags Great Adventures theme park in Jackson, New Jersey.

In early 2003 after a short hiatus from performing, Tia again went full fledged in pursuit of her music and acting career. Tia landed the role of a “Mother” in the stage play written and directed by Mr. Aaron “AJ” Jackson entitled, “Winter in Washington” (2003). This role allowed Tia to both sing & act, showcasing her diverse talents as an entertainer. By 2004, Tia landed a supporting actress role as “Mrs. Jacobs” in the independent film entitled, “In One Day”, written and directed by Mr. Michael Jones; which premiered September 2006. In August 2006, Tia was named a finalist in the 93.9 FM/WKYS competition “NEXT HIT” which was judged by on air personality Jeanie Jones and Lil Wayne from Cash Money records. She began performing “Live” around mid-fall 2006 at the L Street Lounge and the Phish Tea Cafe.  She also landed an extra role in the independent film featuring, Wood Harris, entitled “Jazz In the Diamond District”, set to premier fall 2007.

Tia signed her first recording deal with independent label Bright Vision Entertainment in April 2007. Her first commercial single “I’m Tryin/Natural High is in rotation on WHUR 96.3 FM, XM Satellite Radio’s Suite 62, Voices of America Radio, DMX Music, and Live 365 radio. Tia’s CD single is available now at I-Tunes, Kemp Mill Records, and BrightVisionEnt.com. Tia continues to perform live at venues around the DC Metro area and has been featured most recently in Rolling Out Magazine and The Washington Informer.